It is a dissection of silence, memory, and disguise.

Chapter 1 : Minhwa, or the Architecture
of Silent Control

What appears ornamental is a system of silent discipline.
I do not follow Minhwa. I dismantle it from within.

Chapter 2: Spectacle and Self

The pig is not my portrait.
It is the architecture of shame and excess, worn as disguise and display.

Chapter 3: Ethical Distortion

I replace human faces with animals to fracture the illusion of moral clarity.
Anthropomorphism is not empathy. It is exposure.

Chapter 4 : Memory as Reconstruction

I do not paint nature.
I borrow the face of landscape to stitch the torn edges of memory.

Chapter 5 : The Ambiguity of Perpetration

Perpetration is not an identity. It is a structure that hides within kindness, silence, and even victimhood.
There is no innocence in the architecture of looking away.

Chapter 6 : The Aesthetic Machine

Color, light, and objects do not decorate the image.
They are mechanisms that regulate how emotion is withheld, leaked, or encoded.

Chapter 7 : Water as Structure

Water is not a symbol.
It is the slowest system through which structure fails and memory insists.